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My Account. About Musicnotes. I understand. For me, this song has always related to my son's time in the NICU 13 years ago. I spent hours looking at him through glass. And this song would come on the radio every time I would drive back and forth to see him.
I know what the writer has said the song meant, but I guess everyone interprets songs differently. I think it's either about someone close to the writer waking from a coma or experiencing a relationship with someone with a severe traumatic brain injury that is different now.
Drugs or traumatic event or stroke or anything could cause the damage no matter what causes a TBI it's a traumatic brain injury. Not sure if this has some connection with the songwriters meaning or feelings for this song but they may even have multiple connections to it when they wrote it, as I believe is probably the case. For me it's always. Been a great song but never hit me as deep as it does now until my younger sister was ejected from her truck and in a vegetative comatose state of a coma for 31 days.
I was by her side daily but drugs were my false escape and this song not only makes me think of her glassy eyes but the glass pipe I tried to hide behind or run too. Depending on the day this song will make me smile or make me cry just depends on how life is that day.
Don't forget seatbelt people. Everyone who reads this is loved by someone and it's not worth risking the pain an accident would cause your loved ones. God bless. This song is also made for making us remember that there is always someone who cares for us even if a lot of people are just here to say there were here when you were at your lowest point, without helping you in anyway.
He just got sentenced to do 10 years federal prison time and this was the first song he played after he was able to play music. He can see them, but not touch them. Dont know how much time has passed.
Saying prison feels like home I listen to this song almost everyday thinking of my son When I hear this song, I can't but think of a girl my boyfriend knew in San Diego that was found dead in a pool. She had a lot of issues and numbed herself out and was used by many. It was deemed a suicide, but it she very may well have been murdered I never knew her, but for some reason I've cried for her and this song gets me choked up every time. My interpretation of this song is that the singer is talking to someone dealing with depression.
The part of the song that mentioned sitting inside your head refers to when someone is negative or even suicidal mindset. The lines "How do you feel, that is the question, but I forget, you don't expect any easy answer" to refer to people not wanting to see how the depressed person is feeling in fear that they can't help them if it is bad. Although I realize this isn't the original vision from Taylor but anyone that has dealt with someone close who is depressed or has been depressed themselves could probably relate this way.
Looking through a telescope you see the twinkle of the stars. The stars are in water not in space. Oh its the stars, the stars thats shine for you. And its the stars, the stars that lie to you.
Oh its the stars. Methamphetamine addiction is what I see as a central theme. Glass, slang for crystal meth, is smoked out of a glass piece, which "through the glass" I feel wild symbolize seeing life behind a pipe, behind the mental destruction meth causes. I have been a meth addict for 8 years, and this song just hits me so deep on an emotional level. Addicts become reclusive over time and before you know it, you have no real friends, no close bonds with family, and basically you are alone with your drug, time passing by and you are stuck.
Stuck with a dependance on something that thrives off the destruction it creates. Meth specifically , causes symtoms that are exactly the same as mental illnesses.
Often relationships with meth users, is sexual only. Meth sex isnt about love, its the physical act of pleasure. I know this song is probably about what it seems, hollywood.
But great songs dont have just one side. Everyone hears it different. Btw im nt pity partyin for me , meth addict. I just figured some other tweaker might read it and not feel so alone in his thoughts MIDI supposes that you use so called software-hardware complex.
Playing MIDI, hardware of sotware synth uses its embedded timbres to produce sounds. You're limited by quality or a number of timbers of your synth. MIDI is strictly depends on the hardware where it was created. If you ever changed your synth, there's no warranty that you'll get a great sound on your new synth with you old midi-sources!
You can try to open an existing midi-source in a sequencer such as Cubase, Fruity Loops, Pro Tools or any other , install all VST-instruments required, and only after then you'll get some meaningful result.
So, MIDI provides to you lots of opportunities to make a custom mix, but you have to be technically advanced enough to do it. Even if you're experienced already, customization with midi-sources takes a time, and it's a problem! The next two heroes of our story are such backing tracks created by cutting of original songs or produced with the help of existing voice removal tools. In the case of cutting, there're no difficulties it this thing.
Open any editor Audacity, Sound Forge, Abobe Audition , select any fragment of an original song without voice and copy it again and again. But problem is that the song's arrangements are very sophisticated sometimes and you'll not be able to find a good piece to copy-paste a bridge, for instance. That is where the work of voice-removal and voice-reduction instruments. Let's look at what's happening with the sound when we apply voice-removal, why is this so ugly and your ears go numb when you listen to such phonograms.
Voice removal tools make a new copy of an original mix where the vocal is looking like deleted with the help of phase inversion. Practically, yes. Not only lead singer's signal is destroyed this way! Not only the main vocal but also other instruments are located in the center of stereo pan. These important instruments include bass and kick.
While we increasing the level of phase inversion, distortions will appear inevitably and be noticeable by ear. Bass and kick will suffer first it causes psychoacoustic factors. Strictly speaking, 99 percent of sounding instruments are presented in the center one way or another, and the whole phonogram will suffer.
This is a lion's share of a good commercial mix. Let's take to account that delays and revs occupy all width of the stereo base and fly away all over the stereo panorama. Their sounding merges with all the rest instruments, and the so-called masking effect acts. Even if you decide on making it, you will have to delete all music, leaving just the stereo panorama periphery, its leftmost and rightmost points.
That's why phonograms got by the voice-removal method have unpleasant characteristic artifacts and overtones, being easily differentiated while hearing and not disposing of high sound quality.
For those, who still want to experiment with vocal deletion, we have a fully automated online tool. You can try in by this link. Download any file in mp3 format and receive a result in the form of the link for downloading! The reason is not in that scientists do not think about musicians, the reason is that the music has a very complex physical and psychological nature, perception of music is grounded on some psychoacoustic phenomena, and all these things are interwoven into our concept, and poorly formalized.
It makes music hardly preparable even with the most advanced existing technologies! We can say that we're only in the beginning.
So, let's make interim conclusions of our discourse. Voice removal tools are simple, but they work as uglyfiers, with a huge loose of quality. Karaoke is commonly accessible but not flexible. What should we do? Would you like to record all parts yourself? Do you play all the instruments well? Do you have backing vocals or you sing well? Is your hearing good enough to transcribe all parts exactly?
Do you have a lot of time to do all this? But what if you have a busy schedule, and tomorrow you need, let's say twenty new backing tracks? All that can only lead to one conclusion. Let us finally say to you this magic word Every instrument is recorded separately in isolation of others in the multitrack source and saved in a separate file. You can apply any settings equalization, compression, or reverberation to any channel or a group of them.
All you have to do is to download the set of files to your favorite program! One more big advantage lies in a more qualitative transposition the tonality change in comparison with an ordinary phonogram.
In a multitrack, you get an opportunity to transpose every track separately: signal interpenetration will be lower; the level of noise will decrease in accumulating signals. Compare and feel the difference! Here is the example. You get an opportunity to create lots of mix versions. You can replay any part in a multitrack.
Also, you are able to prolong or shorten songs on several bars, inset new solo or full episodes due to copying and inserting, and hide all patches carefully. It allows verifying accompaniment.
Change arrangements to your taste! The process of multitrack modification is simplified thanks to the fact that they have separate metronome tracks except for composition in free rhythmic and rubato , instruments are synchronized with each other, all channels are synchronized with clicks, and count-offs are added after all pauses, fermatas, and long stops.
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